EDUCATION
2022 - 2024
Masters Programme in Curating, including Art, Management and Law - Stockholm University
With a research on communities that aggregate around collecting art, collective curation and the politics of shared ownership of collections. Supervised by professor Pierre Guillet de Monthoux.
2019 - 2022
Bachelor Degree in Cultural Heritage - Università degli studi di Milano
Graduated with archival research on the 1983 exhibition Jarry e la Patafisica curated by the pataphysical artist Enrico Baj at Palazzo Reale in Milan. Supervised by professor Giorgio Zanchetti.
2018
Fine Art High School Diploma - Liceo Caravillani, Rome
Graduated with a thesis project in the form of a musée immaginaire on the post-war artistic response of Abstract Expressionist artists as seen through the Nietzschean interpretation of the film 2001: A Space Odyssey.
SELECTED WORK EXPERIENCE
2023 - 2024
[Production Manager, Curator] - Odem Atelier, Stockholm
Curated and produced exhibitions and coordinated events such as concerts, openings, performance artworks etc. Due to the gallery’s location, in the crypt of an 18th century church, the programme focused on sculptural artworks and immersive environments. Managed and organized archival material and registrar. Wrote loan and consignment agreements.
2020 - 2022
[Gallery Assistant] - ML Fine Art, Milan
Assisted the team during in-house transactions and fairs. In charge of social media management, press releases and exhibition texts. In charge of art handling, including registrar and maintenance. Provided information and educational assistance to collectors. Proficient in Artlogic database.
2020
[Research Intern] - Petricca & Co. Capital, Milan
Worked cooperatively with the team in researching art market trends and producing artworks’ estimates through reports and essays. Proficient with Artprice and Artnet databases.
EXHIBITIONS
imposters, (Stockholm, Acelerator, March 2024) curated by Clara Donadoni;
AAF Spotlight, (Stockholm, Nacka Strand, October 2023) curated by Lauren Johnson and Clara Donadoni;
EDUCATION
2022 - 2024
Masters Programme in Curating, including Art, Management and Law - Stockholm University
With a research on communities that aggregate around collecting art, collective curation and the politics of shared ownership of collections. Supervised by professor Pierre Guillet de Monthoux.
2019 - 2022
Bachelor Degree in Cultural Heritage - Università degli studi di Milano
Graduated with archival research on the 1983 exhibition Jarry e la Patafisica curated by the pataphysical artist Enrico Baj at Palazzo Reale in Milan. Supervised by professor Giorgio Zanchetti.
2018
Fine Art High School Diploma - Liceo Caravillani, Rome
Graduated with a thesis project in the form of a musée immaginaire on the post-war artistic response of Abstract Expressionist artists as seen through the Nietzschean interpretation of the film 2001: A Space Odyssey.
SELECTED WORK EXPERIENCE
2023 - 2024
[Gallery Manager, Curator] - Odem Atelier, Stockholm
Art gallery located in the basement of a 18th Century church. Assisted in the curation of exhibitions and concerts focusing on sculpture in immersive environments. Managed and organized archival material. Wrote loan and consignment agreements.
2021 - 2022
[Gallery Assistant] - ML Fine Art, Milan
The gallery specializes in post war art with particular focus on the promotion of Italian Abstract and Informal artists. Followed the team during in-house transactions and fairs. In charge of social media management, press releases and exhibition texts. Provided information and educational assistance to collectors. Proficient in Artlogic database.
2020
[Research Intern] - Petricca & Co. Capital, Milan
Art Fund which provides assistance to high-end collectors. Worked cooperatively with the team in researching art market trends and producing artworks’ estimates through reports and essays. Proficient with Artprice and Artnet databases.
EXHIBITIONS
FLORA/FAUNA
Anatomy of a Cowboy
imposters
AAF Spotlight
MAXIMUM CAPACITY
Låg himmel, högt huvud
Crystal Hell
PERMUTATIONS
Within and Against.
is a curator working across publishing, post-institutional practice, and experimental forms of cultural distribution.
Her work explores how collective ownership, decentralised structures, and co-authorship can reshape the way art is shared and sustained.
She’s interested in curatorial approaches that invite participation, leave space for interpretation, and value process as much as outcome.
is a curator working across publishing, post-institutional practice, and experimental forms of cultural distribution.
Her work explores how collective ownership, decentralised structures, and co-authorship can reshape the way art is shared and sustained.
She’s interested in curatorial approaches that invite participation, leave space for interpretation, and value process as much as outcome.